Scarface And Hamlet - 1435 Words

Oliver Stone’s Scarface and William Shakespeare’s Hamlet are thematically linked in characterisation. The inability to control emotions are both apparent with Tony Montana and Hamlet. They have a tendency to get mad, especially when Tony and Hamlet catch the women they believed to be pure betraying their trust. Often, they will both exhibit the use of deceiving behaviours to fool others around them to try and cover more profound intentions. Although Tony Montana’s and Hamlet’s desires differ in purpose, the protagonist’s major flaws within their behaviours end up both tragic in consequence. To give a background on Tony Montana’s deportation from Cuba to the sunny coast of Miami, Scarface opens with a prelude as a literary device. Hamlet†¦show more content†¦Tony Montana and Hamlet connect on their lack of ability to control their emotions. Tony acts aggressively and deals with his problems head-on. Hamlet struggles to make decisions and has a lack of assertiveness; his procrastination may be due to his religious beliefs, finding the right moment to revenge his father to kill Claudius so he isn’t sent to Heaven. Tony, on the other hand, does not seem to have any religion holding back his actions, he is clearly a more dominant figure than Hamlet, which is evident when Tony confronts Frank Lopez directly and murders him on the spot. Hamlet is more submissive and confronts Claudius’s guilt by putting on a play that recreates the murder of King Hamlet, rather than directly confronting Claudius. Due to no education, Tony lacks intelligence and th at plays a role in his expression of emotions, having a hard time explaining them and often uses slang or curse words. Through the use of highly developed metaphors, Hamlet understands and expresses his emotions thoroughly such as in Act 3 Scene 1, during his â€Å"To be or not be† speech he uses a Sea of troubles to compare his sufferings with the endless sea, as the currents are a fluctuating movement from forces of breaking waves and wind, conveying Hamlet’s conflicted and disturbed mindset. Masks of deception are applied in advantage to shield Tony and Hamlet’s true intentions and behaviours. When Tony is being interrogated by the immigration officers about his criminality,Show MoreRelatedScarface And Hamlet1434 Words   |  6 PagesScarface (1983) written by Oliver Stone and Hamlet (1599-1602) written by William Shakespeare share and explore the themes of what the inability to regulate emotions can cause in a person and their surrounding environments, even if they differ dramatically. Although Tony Montana’s and Hamlet’s desires and backgrounds serve as different purposes in their journeys, they both encounter and exhibit the use of deceiving behaviours, have trust issues with the woman they love and both question the pointRead MoreWilliam Shakespeare: Still Influencing People Today Essay1526 Words   |  7 PagesWilliam Shakespeare was an English man with an unmatched way of approaching poetry, theater and playwriting. William Shakespeare has an outstanding reign of playwrights including some highly famous ones such as Romeo and Juliet(), The Tempest() and Hamlet(). He has influenced many walks of life and has set the stepping stone for other forms of entertainment. 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Perhaps the best casting, Al Pacino plays an excellent Shylock that initially invokes the movie watcher’s empathy then turns quickly into an enraged, psychopathic persona reminiscent to his characters in Scarface or Godfather. Particularly, Pacino shows off his talent in the famous ‘Hath not a Jew eyes’ monologue where Pacino takes us through a full emotional range of compassion, sympathy, to scorching rage. Similarly, Radford uses this scene to show offRead MoreGoal Movie Review10720 Words   |  43 PagesLughnasa,† Edmund Tyrone in â€Å"Long Day’s Journey Into Night,† and Prior Walter in â€Å"Angels In America,† followed by â€Å"Hush† written by April D’Angelis at the Royal Court. He won the Richard Burton Shakespeare Globe Award in 1995 for the title rol e in â€Å"Hamlet† at the Gielgud Theatre directed by Peter Hall. 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